William Oram (d. 1777) was Master Carpenter to the Office of Works when Kirby was appointed as Clerk of the Works at Richmond and Kew. Although he was well-known in artistic circles in his time, his star has faded. Horace Walpole, in his three-volume Anecdotes of Painting, accords Oram precisely one sentence: “William Oram was bred an architect, but taking to landscape-painting, arrived at great merit in that branch; and was made master-carpenter to the board of works, by the interest of Sir Edward Walpole, who has several of his pictures and drawings” [vol II, 711]. The DNB is a little more forthcoming, mentioning his painting of the staircase in Buckingham Palace, and his earliest known published work, an etching of Datchet Bridge printed in 1745.
Very little of his original work is known to have survived. He was popular with nobles having over-door and over-mantle pieces in country houses, as well as painting staircases. Such works have presumably all disappeared, or at least lost attribution. The DNB records his death in 1777, “leaving a widow and a son, Edward” and gives a brief mention of Edward’s own artistic productions from exhibition catalogs.
Against this rather sparse record comes a startling obituary:
On Monday last was interr’d at Hendon in Middlesex, the remains of William Oram, Esq; officer of his Majesty’s Board of Works. He was an affectionate husband, a tender and best of fathers, whose great abilities were universally known; and a sincere friend to his acquaintance. He labored under the most severe affliction for many years, from a hurt in his side. His loss is irreparable to his disconsolate widow and numerous family [Morning Post and Daily Advertiser, Friday, March 28, 1777].
This suggests there may be more to William Oram’s story. Continue reading