In 1761, George III was crowned in Westminster Hall. As Master Carpenter of the Board of Works, one of William Oram‘s tasks was to construct and decorate a triumphal arch through which the King’s Champion would ride. A print of the arch was engraved by Anthony Walker:
William Henry Pyne included an anecdote about Hogarth, Hayman and other artists teasing Oram during the construction of the arch in his rambling, entertaining, and largely fictitious work, Wine and Walnuts. It should be remembered that Pyne was not yet born when the incident related allegedly took place. However, it is the only extended anecdote involving Oram that I know, so here it is (with Pyne’s epic footnotes suppressed, but eccentric punctuation retained): Continue reading →
The plates for Joshua Kirby’s Twelve Prints of 1748 were engraved by Joseph Wood of Covent Garden. Kirby’s connection with Wood went back several years at this point. In June 1745, he advertised for sale in the Ipswich Journal, “A Curious Print of Mr. Garrick, from an original Painting by Mr. Pond, engrav’d by Mr. Wood,” at a shilling each (cited in Whitley, Gainsborough, 18). Garrick had made his stage debut in Ipswich in 1741, and by 1745 was very well known.
Later, Kirby was to be found selling Hogarth’s prints of Beer Street and Gin Lane.
Whitley, W.T. (1915). Thomas Gainsborough. London: Smith, Elder, & Co.